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Introduction
Why Study Music Theory
1.1 Basics of Rhythm: Tutorial
1.1 Basics of Rhythm: Theory exercises
1.1 Basics of Rhythm: Sight Singing exercises
1.1 Basics of Rhythm: Aural Training exercises
1.2 Basics of Meter: Tutorial
1.2 Basics of Meter: Theory exercises
1.2 Basics of Meter: Sight Singing exercises
1.2 Basics of Meter: Aural Training exercises
1.3 Basics of Beaming: Tutorial
1.3 Basics of Beaming: Theory exercises
1.3 Basics of Beaming: Sight Singing exercises
1.3 Basics of Beaming: Aural Training exercises
2.1 Pitch, Clefs, and Intervals: Tutorial
2.1 Pitch, Clefs, and Intervals: Theory exercises
2.1 Pitch, Clefs, and Intervals: Sight Singing exercises
2.1 Pitch, Clefs, and Intervals: Aural Training exercises
3.1 Intro to Scales and the Chromatic Scale: Tutorial
3.1 Intro to Scales and the Chromatic Scale: Theory exercises
3.2 Major Scales: Tutorial
3.2 Major Scales: Theory exercises
3.2 Major Scales: Sight Singing exercises
3.2 Major Scales: Aural Training exercises
3.3 Minor Scales: Tutorial
3.3 Minor Scales: Theory exercises
3.3 Minor Scales: Sight Singing exercises
3.3 Minor Scales: Aural Training exercises
3.4 Modal Scales: Tutorial
3.4 Modal Scales: Theory exercises
3.4 Modal Scales: Sight Singing exercises
3.4 Modal Scales: Aural Training exercises
4.1 Intervals: Tutorial
4.1 Intervals: Theory exercises
4.1 Intervals: Sight Singing exercises
4.1 Intervals: Aural Training exercises
5.1 Triads and Inversions: Tutorial
5.1 Triads and Inversions: Theory exercises
5.1 Triads and Inversions: Sight Singing exercises
5.1 Triads and Inversions: Aural Training exercises
5.2 Seventh Chords and Inversions: Tutorial
5.2 Seventh Chords and Inversions: Theory exercises
5.2 Seventh Chords and Inversions: Sight Singing exercises
5.2 Seventh Chords and Inversions: Aural Training exercises
5.3 Lead Sheet Notation: Tutorial
5.3 Lead Sheet Notation: Theory exercises
5.3 Lead Sheet Notation: Sight Singing exercises
5.3 Lead Sheet Notation: Aural Training exercises
5.4 Figured Bass Notation: Tutorial
5.4 Figured Bass Notation: Theory exercises
5.4 Figured Bass Notation: Sight Singing exercises
5.4 Figured Bass Notation: Aural Training exercises
5.5 Roman Numerals and Diatonic Harmony: Tutorial
5.5 Roman Numerals and Diatonic Harmony: Theory exercises
5.5 Roman Numerals and Diatonic Harmony: Sight Singing exercises
5.5 Roman Numerals and Diatonic Harmony: Aural Training exercises
6.1 Functional Harmony: Tutorial
6.1 Functional Harmony: Theory exercises
6.1 Functional Harmony: Sight Singing exercises
6.1 Functional Harmony: Aural Training exercises
6.2 Cadences: Tutorial
6.2 Cadences: Theory exercises
6.2 Cadences: Sight Singing exercises
6.2 Cadences: Aural Training exercises
6.3 Harmonic Rhythm: Tutorial
6.3 Harmonic Rhythm: Theory exercises
6.3 Harmonic Rhythm: Sight Singing exercises
6.3 Harmonic Rhythm: Aural Training exercises
7.1 Melodic Material: Range, Interval Structure, Gesture: Sight Singing exercises: Aural Training exercises: Tutorial
7.1 Melodic Material: Range, Interval Structure, Gesture: Theory exercises
7.1 Melodic Material: Range, Interval Structure, Gesture: Sight Singing exercises
7.1 Melodic Material: Range, Interval Structure, Gesture: Aural Training exercises
7.2 Melodic Material: Create/Vary/Repeat and Sequences: Tutorial
7.2 Melodic Material: Create/Vary/Repeat and Sequences: Theory exercises
7.2 Melodic Material: Create/Vary/Repeat and Sequences: Sight Singing exercises
7.2 Melodic Material: Create/Vary/Repeat and Sequences: Aural Training exercises
7.3 Embellishing Tones: Tutorial
7.3 Embellishing Tones: Theory exercises
7.3 Embellishing Tones: Sight Singing exercises
7.3 Embellishing Tones: Aural Training exercises
8.1 Musical Phrases and Sentences: Tutorial
8.1 Musical Phrase: Theory exercises
8.1 Musical Phrase: Sight Singing exercises
8.1 Musical Phrase: Aural Training exercises
8.2 Sentences and Periods: Tutorial
8.2 Sentences and Periods: Theory exercises
8.2 Sentences and Periods: Sight Singing exercises
8.2 Sentences and Periods: Aural Training exercises
8.3 Phrase Groups and Double Periods: Tutorial
8.3 Phrase Groups and Double Periods: Theory exercises
8.3 Phrase Groups and Double Periods: Sight Singing exercises
8.3 Phrase Groups and Double Periods: Aural Training exercises
8.4 Phrase Elisions and Cadential Extensions: Tutorial
8.4 Phrase Elisions and Cadential Extensions: Theory exercises
8.4 Phrase Elisions and Cadential Extensions: Sight Singing exercises
8.4 Phrase Elisions and Cadential Extensions: Aural Training exercises
9.1 First Species Counterpoint: Tutorial
9.1 First Species Counterpoint: Theory exercises
9.1 First Species Counterpoint: Sight Singing exercises
9.1 First Species Counterpoint: Aural Training exercises
9.2 Second Species Counterpoint: Tutorial
9.2 Second Species Counterpoint: Theory exercises
9.2 Second Species Counterpoint: Sight Singing exercises
9.2 Second Species Counterpoint: Aural Training exercises
9.3 Third Species Counterpoint: Tutorial
9.3 Third Species Counterpoint: Theory exercises
9.3 Third Species Counterpoint: Sight Singing exercises
9.3 Third Species Counterpoint: Aural Training exercises
10.1 Chord Voicing and Part Writing, General Principles: Tutorial
10.1 Chord Voicing and Part Writing, General Principles: Theory exercises
10.1 Chord Voicing and Part Writing, General Principles: Sight Singing exercises
10.1 Chord Voicing and Part Writing, General Principles: Aural Training exercises
10.2 Part Writing, Root Position Triads and Suspensions: Tutorial
10.2 Part Writing, Root Position Triads and Suspensions: Theory exercises
10.2 Part Writing, Root Position Triads and Suspensions: Sight Singing exercises
10.2 Part Writing, Root Position Triads and Suspensions: Aural Training exercises
10.3 Part Writing, First Inversion Triads and Suspensions: Tutorial
10.3 Part Writing, First Inversion Triads and Suspensions: Theory exercises
10.3 Part Writing, First Inversion Triads and Suspensions: Sight Singing exercises
10.3 Part Writing, First Inversion Triads and Suspensions: Aural Training exercises
10.4 Part Writing, Second Inversion Triads: Tutorial
10.4 Part Writing, Second Inversion Triads: Theory exercises
10.4 Part Writing, Second Inversion Triads: Sight Singing exercises
10.4 Part Writing, Second Inversion Triads: Aural Training exercises
10.5 Part Writing, Seventh Chords: Tutorial
10.5 Part Writing, Seventh Chords: Theory exercises
10.5 Part Writing, Seventh Chords: Sight Singing exercises
10.5 Part Writing, Seventh Chords: Aural Training exercises
10.6 Part Writing, Non-Chord Tones: Tutorial
10.6 Part Writing, Non-Chord Tones: Theory exercises
10.6 Part Writing, Non-Chord Tones: Sight Singing exercises
10.6 Part Writing, Non-Chord Tones: Aural Training exercises
11.1 Introduction to Harmonizing a Melody: Tutorial
11.1 Introduction to Harmonizing a Melody: Theory exercises
11.1 Introduction to Harmonizing a Melody: Sight Singing exercises
11.1 Introduction to Harmonizing a Melody: Aural Training exercises
11.2 Harmonizing a Melody with Root Position Triads: Tutorial
11.2 Harmonizing a Melody with Root Position Triads: Theory exercises
11.2 Harmonizing a Melody with Root Position Triads: Sight Singing exercises
11.2 Harmonizing a Melody with Root Position Triads: Aural Training exercises
11.3 Harmonizing a Melody With Triads in Inversion: Tutorial
11.3 Harmonizing a Melody With Triads in Inversion: Theory exercises
11.3 Harmonizing a Melody With Triads in Inversion: Sight Singing exercises
11.3 Harmonizing a Melody With Triads in Inversion: Aural Training exercises
11.4 Harmonizing a Melody With Seventh Chords: Tutorial
11.4 Harmonizing a Melody With Seventh Chords: Theory exercises
11.4 Harmonizing a Melody With Seventh Chords: Sight Singing exercises
11.4 Harmonizing a Melody With Seventh Chords: Aural Training exercises
11.5 Harmonizing a Melody With Non Chord Tones: Tutorial
11.5 Harmonizing a Melody With Non Chord Tones: Theory exercises
11.5 Harmonizing a Melody With Non Chord Tones: Sight Singing exercises
11.5 Harmonizing a Melody With Non Chord Tones: Aural Training exercises
See Workbook Chapters 5.2.1 and 5.2.2
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Comprehensive Musicianship, A Practical Resource Copyright © 2023 by Randall Harlow; Heather Peyton; Jonathan Schwabe; and Daniel Swilley is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.