Primary Navigation

Book Contents Navigation

About the Contributors

Introduction

Why Study Music Theory

1.1 Basics of Rhythm: Tutorial

1.1 Basics of Rhythm: Theory exercises

1.1 Basics of Rhythm: Sight Singing exercises

1.1 Basics of Rhythm: Aural Training exercises

1.2 Basics of Meter: Tutorial

1.2 Basics of Meter: Theory exercises

1.2 Basics of Meter: Sight Singing exercises

1.2 Basics of Meter: Aural Training exercises

1.3 Basics of Beaming: Tutorial

1.3 Basics of Beaming: Theory exercises

1.3 Basics of Beaming: Sight Singing exercises

1.3 Basics of Beaming: Aural Training exercises

2.1 Pitch, Clefs, and Intervals: Tutorial

2.1 Pitch, Clefs, and Intervals: Theory exercises

2.1 Pitch, Clefs, and Intervals: Sight Singing exercises

2.1 Pitch, Clefs, and Intervals: Aural Training exercises

3.1 Intro to Scales and the Chromatic Scale: Tutorial

3.1 Intro to Scales and the Chromatic Scale: Theory exercises

3.2 Major Scales: Tutorial

3.2 Major Scales: Theory exercises

3.2 Major Scales: Sight Singing exercises

3.2 Major Scales: Aural Training exercises

3.3 Minor Scales: Tutorial

3.3 Minor Scales: Theory exercises

3.3 Minor Scales: Sight Singing exercises

3.3 Minor Scales: Aural Training exercises

3.4 Modal Scales: Tutorial

3.4 Modal Scales: Theory exercises

3.4 Modal Scales: Sight Singing exercises

3.4 Modal Scales: Aural Training exercises

4.1 Intervals: Tutorial

4.1 Intervals: Theory exercises

4.1 Intervals: Sight Singing exercises

4.1 Intervals: Aural Training exercises

5.1 Triads and Inversions: Tutorial

5.1 Triads and Inversions: Theory exercises

5.1 Triads and Inversions: Sight Singing exercises

5.1 Triads and Inversions: Aural Training exercises

5.2 Seventh Chords and Inversions: Tutorial

5.2 Seventh Chords and Inversions: Theory exercises

5.2 Seventh Chords and Inversions: Sight Singing exercises

5.2 Seventh Chords and Inversions: Aural Training exercises

5.3 Lead Sheet Notation: Tutorial

5.3 Lead Sheet Notation: Theory exercises

5.3 Lead Sheet Notation: Sight Singing exercises

5.3 Lead Sheet Notation: Aural Training exercises

5.4 Figured Bass Notation: Tutorial

5.4 Figured Bass Notation: Theory exercises

5.4 Figured Bass Notation: Sight Singing exercises

5.4 Figured Bass Notation: Aural Training exercises

5.5 Roman Numerals and Diatonic Harmony: Tutorial

5.5 Roman Numerals and Diatonic Harmony: Theory exercises

5.5 Roman Numerals and Diatonic Harmony: Sight Singing exercises

5.5 Roman Numerals and Diatonic Harmony: Aural Training exercises

6.1 Functional Harmony: Tutorial

6.1 Functional Harmony: Theory exercises

6.1 Functional Harmony: Sight Singing exercises

6.1 Functional Harmony: Aural Training exercises

6.2 Cadences: Tutorial

6.2 Cadences: Theory exercises

6.2 Cadences: Sight Singing exercises

6.2 Cadences: Aural Training exercises

6.3 Harmonic Rhythm: Tutorial

6.3 Harmonic Rhythm: Theory exercises

6.3 Harmonic Rhythm: Sight Singing exercises

6.3 Harmonic Rhythm: Aural Training exercises

7.1 Melodic Material: Range, Interval Structure, Gesture: Sight Singing exercises: Aural Training exercises: Tutorial

7.1 Melodic Material: Range, Interval Structure, Gesture: Theory exercises

7.1 Melodic Material: Range, Interval Structure, Gesture: Sight Singing exercises

7.1 Melodic Material: Range, Interval Structure, Gesture: Aural Training exercises

7.2 Melodic Material: Create/Vary/Repeat and Sequences: Tutorial

7.2 Melodic Material: Create/Vary/Repeat and Sequences: Theory exercises

7.2 Melodic Material: Create/Vary/Repeat and Sequences: Sight Singing exercises

7.2 Melodic Material: Create/Vary/Repeat and Sequences: Aural Training exercises

7.3 Embellishing Tones: Tutorial

7.3 Embellishing Tones: Theory exercises

7.3 Embellishing Tones: Sight Singing exercises

7.3 Embellishing Tones: Aural Training exercises

8.1 Musical Phrases and Sentences: Tutorial

8.1 Musical Phrase: Theory exercises

8.1 Musical Phrase: Sight Singing exercises

8.1 Musical Phrase: Aural Training exercises

8.2 Sentences and Periods: Tutorial

8.2 Sentences and Periods: Theory exercises

8.2 Sentences and Periods: Sight Singing exercises

8.2 Sentences and Periods: Aural Training exercises

8.3 Phrase Groups and Double Periods: Tutorial

8.3 Phrase Groups and Double Periods: Theory exercises

8.3 Phrase Groups and Double Periods: Sight Singing exercises

8.3 Phrase Groups and Double Periods: Aural Training exercises

8.4 Phrase Elisions and Cadential Extensions: Tutorial

8.4 Phrase Elisions and Cadential Extensions: Theory exercises

8.4 Phrase Elisions and Cadential Extensions: Sight Singing exercises

8.4 Phrase Elisions and Cadential Extensions: Aural Training exercises

9.1 First Species Counterpoint: Tutorial

9.1 First Species Counterpoint: Theory exercises

9.1 First Species Counterpoint: Sight Singing exercises

9.1 First Species Counterpoint: Aural Training exercises

9.2 Second Species Counterpoint: Tutorial

9.2 Second Species Counterpoint: Theory exercises

9.2 Second Species Counterpoint: Sight Singing exercises

9.2 Second Species Counterpoint: Aural Training exercises

9.3 Third Species Counterpoint: Tutorial

9.3 Third Species Counterpoint: Theory exercises

9.3 Third Species Counterpoint: Sight Singing exercises

9.3 Third Species Counterpoint: Aural Training exercises

10.1 Chord Voicing and Part Writing, General Principles: Tutorial

10.1 Chord Voicing and Part Writing, General Principles: Theory exercises

10.1 Chord Voicing and Part Writing, General Principles: Sight Singing exercises

10.1 Chord Voicing and Part Writing, General Principles: Aural Training exercises

10.2 Part Writing, Root Position Triads and Suspensions: Tutorial

10.2 Part Writing, Root Position Triads and Suspensions: Theory exercises

10.2 Part Writing, Root Position Triads and Suspensions: Sight Singing exercises

10.2 Part Writing, Root Position Triads and Suspensions: Aural Training exercises

10.3 Part Writing, First Inversion Triads and Suspensions: Tutorial

10.3 Part Writing, First Inversion Triads and Suspensions: Theory exercises

10.3 Part Writing, First Inversion Triads and Suspensions: Sight Singing exercises

10.3 Part Writing, First Inversion Triads and Suspensions: Aural Training exercises

10.4 Part Writing, Second Inversion Triads: Tutorial

10.4 Part Writing, Second Inversion Triads: Theory exercises

10.4 Part Writing, Second Inversion Triads: Sight Singing exercises

10.4 Part Writing, Second Inversion Triads: Aural Training exercises

10.5 Part Writing, Seventh Chords: Tutorial

10.5 Part Writing, Seventh Chords: Theory exercises

10.5 Part Writing, Seventh Chords: Sight Singing exercises

10.5 Part Writing, Seventh Chords: Aural Training exercises

10.6 Part Writing, Non-Chord Tones: Tutorial

10.6 Part Writing, Non-Chord Tones: Theory exercises

10.6 Part Writing, Non-Chord Tones: Sight Singing exercises

10.6 Part Writing, Non-Chord Tones: Aural Training exercises

11.1 Introduction to Harmonizing a Melody: Tutorial

11.1 Introduction to Harmonizing a Melody: Theory exercises

11.1 Introduction to Harmonizing a Melody: Sight Singing exercises

11.1 Introduction to Harmonizing a Melody: Aural Training exercises

11.2 Harmonizing a Melody with Root Position Triads: Tutorial

11.2 Harmonizing a Melody with Root Position Triads: Theory exercises

11.2 Harmonizing a Melody with Root Position Triads: Sight Singing exercises

11.2 Harmonizing a Melody with Root Position Triads: Aural Training exercises

11.3 Harmonizing a Melody With Triads in Inversion: Tutorial

11.3 Harmonizing a Melody With Triads in Inversion: Theory exercises

11.3 Harmonizing a Melody With Triads in Inversion: Sight Singing exercises

11.3 Harmonizing a Melody With Triads in Inversion: Aural Training exercises

11.4 Harmonizing a Melody With Seventh Chords: Tutorial

11.4 Harmonizing a Melody With Seventh Chords: Theory exercises

11.4 Harmonizing a Melody With Seventh Chords: Sight Singing exercises

11.4 Harmonizing a Melody With Seventh Chords: Aural Training exercises

11.5 Harmonizing a Melody With Non Chord Tones: Tutorial

11.5 Harmonizing a Melody With Non Chord Tones: Theory exercises

11.5 Harmonizing a Melody With Non Chord Tones: Sight Singing exercises

11.5 Harmonizing a Melody With Non Chord Tones: Aural Training exercises

See Workbook Chapters 6.1.1 and 6.1.2

Previous/next navigation

Comprehensive Musicianship, A Practical Resource Copyright © 2023 by Randall Harlow; Heather Peyton; Jonathan Schwabe; and Daniel Swilley is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.